Bénédicte Ramade is an art historian, art critic and independent curator specializing in environmental issues. In Quebec, she curated the inaugural exhibition of the Grantham Foundation for Art and the Environment in 2019 (Apparaître-Disparaître) and the monograph of Anahita Norouzi, recipient of the Foundation’s prize in 2022. In France, the Centre Pompidou in cooperation with UQAM has entrusted her with the editorial direction of its MOOC (Massive Open Online Course) on art and ecology, for which she has animated three films.

Vers un art anthropocène. L’art écologique américain pour prototype, published by Presses du réel in September 2022, updates her doctoral thesis on ecological art from an anthropocene perspective, and has been nominated for the Prix Pierre Daix. After ten years of teaching at the Université de Paris 1 (Panthéon-Sorbonne), she is now a lecturer in Art History at the Université de Montréal and the École des Arts Visuels et Médiatiques at UQAM.